That and the titles of the volumes was a fudge thought necessary for publication, owing to length and cost. I taken by itself and several critics have obviously not got far beyond Chapter I. 'Trilogy', which is not really accurate, is partly to blame. The (unavoidable) disadvantage of issuing in three parts has been shown in the 'shapelessness' that several readers have found, since that is true if one volume is supposed to stand alone. If not, I can at the moment think of nothing better than : I The Shadow Grows II The Ring in the Shadow III The War of the Ring or The Return of the King. III The War of the Ring, and The End of the Third Age'? II The Treason of Isengard, and The Ring goes East Vol. I The Ring Sets out and The Ring Goes South Vol. Would it not do if the 'book-titles' were used: e.g. But I do not find it easy, as the 'books', though they must be grouped in pairs, are not really paired and the middle pair (III/IV) are not really related. I have given some thought to the matter of sub-titles for the volumes, which you thought were desirable. To back that up, we can refer to Tolkien's letters: Because of post-World War II paper shortages, it was originally published in three volumes. Tolkien regarded it as a single work and divided it into a prologue, six books, and five appendices. It shouldn't even be called 3 books, since Tolkien didn't refer to them as books, but as volumes, and any time he used the word he air-quoted it as 'books'. Fortunately they learn and mature over the course of the series, but in the beginning, they're the worst.TL DR Tolkien himself did NOT consider it a trilogy. They come off as callow, pampered rich kids who've never needed to take anything seriously in their lives. Once their quest gets going, Merry and Pippin are the ones who complain about not stopping for Second Breakfast, and who attract the Ringwraiths to Weathertop by starting a fire to cook bacon and sausage. And while it's easy to dislike Maggot for his gross name and the the fact that he pointed that Ringwraith toward Frodo, he's just an honest working hobbit who needs his crops to make money and feed his family. No, they're stealing from poor Farmer Maggot for the same reason they stole and set off that dragon firework at Bilbo's party-for the thrill. So when Frodo and Sam run into them on the way out of the Shire in Fellowship of the Ring, why are they stealing food from Farmer Maggot's crops? It's not because they're hungry-they could afford to buy whatever they might want, and both of their homes are probably stocked with delicious foods and cooks to prepare them. Here are some of the things about the Lord of the Rings movies that it takes an adult viewer to notice. Along the way he finds many allies and enemies. There are huge epic battles, wizards, orcs, all that stuff. When you see the movies as a child, the magic and suspense sweeps you away into the fantasy, but when you rewatch as an adult, different things stand out. In some places, the movies show their cracks-and in others, they show surprising depth and complexity. They tell the story of Frodo Baggins, a hobbit from the Shire, and his quest to take the evil One Ring that was forged by the Dark Lord Sauron to the volcano where it was forged and can be destroyed. In other words, there's a whole lot going on in these movies. The Fellowship of the Ring, The Two Towers, and The Return of the King's theatrical releases each came to about three hours, and the extended home video versions (which we're defaulting to for this list) are more like four hours apiece. Tolkien, were a high watermark for fantasy cinema. The Lord of the Rings, Peter Jackson's film trilogy adapting the classic fantasy novels by J.R.R.
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